suchaniceprint:

by Kaisu Sirviö Suomi /FinlandVilli metsä /Wilderness forestlitografia /lithography 2008
360nm:

What They Sound Like In My Head.
art-centric:

the welcoming by -Ruth Hunter~Inner Landscapes-
Source:flickr
owls-n-elderberries:

IMG_2985 枯葉蝶 Kallima inachis formosana by 賞景者 Jeff Lin on Flickr.
anthrocentric:

A Visual Ethnography of the World’s Last Living NomadsFrom Morocco to Mongolia, or what we can learn about climate change from Inuit whale hunters.

"Since the beginning of time, nomadic people have roamed the earth. Looking for food, feeding their cattle. Looking for an existence, freedom. Living in the wild, mountains, deserts, on tundra and ice. With only a thin layer of tent between them and nature. Earth in the 21st century is a crowded place, roads and cities are everywhere. Yet somehow, these people hold on to traditions that go back to the very beginning of human civilization.” ~ Jelle Brandt Corstius [x]
nycartscene:

Fall 2014 Editor’s PickOpens Tues, Sept 9, 6-8p:“RITE OF PASSAGE: The Early Years of Vienna Actionism, 1960 – 1966” Günter Brus, Otto Muehl, Hermann Nitsch, Rudolf SchwarzkoglerHauser & Wirth, 32 East 69th St., NYCthe first major New York City exhibition to explore, through rare paintings, collages, and photographs, the emergence of a critical 20th-century avant-garde movement. Various artistic developments in the second half of the 20th century have been influenced by a performative paradigm that emphasizes a move away from formal, static objects and toward more directly experiential, event-like, and sensorial gestures. In the early 1960s, the Vienna Actionists defined their radical style through a critique of painting, specifically that of European Art Informel and the Abstract Expressionism of the New York School. Under Austria’s Second Republic, Brus, Muehl, Nitsch, and Schwarzkogler sought out new possibilities for expression that could transcend the shadow of World War II. Motivated by material experimentation, they developed their art around radical body-centric performances through which authentic experiences of reality and incisive political statements could be directly and intensely perceived.
exam:

Eduardo Mata Icaza

gaspard yurkievich by chikashi suzuki for purple fashion no. 8, sping/summer ‘00
celiabasto:
paxmachina:

Nikola Tesla in his laboratory, 1899.